I agree with you there! View 110 Hermitage Ave, Lafayette, LA 70503 property records for FREE including property ownership, deeds, mortgages, titles & sales history, current & historic tax assessments, legal, parcel & structure description, land use, zoning & more. The article, and subsequent comments have been enlightening, but, What about the Supercuts vinyls (EU) of H-Q Records.? All are flat and muddy sounding. However, all the trouble began when I got to track 5 and it skipped twice (very bad, jumpy skips). Juliette Greco Once MFSL was able to license the whole shabang for the box setthey were granted access to vault tapes from EMI England. Surely pulling random copies and checking for problems is something that should be done by the pressing plant in the production cycle? In Southern Italy instead, in the territories of the . Would be a great idea for a reissue. The really important question is, are theextra tracks 88/24? Acoustic Sounds is as good as I've ever seen in terms of having commentary on re-issues. Whatever your take on Robert Palmers interpretation, the sound on that single is awesome. Other times you get part of the story, the most important part of which is, was the original master tape the source of whatever was used to do the cuttingwhether a high resolution (96/24) digital file or a 1:1 analog copy of the master, which is what some labels have to use if the tape's owner refuses to let it out the tape vault door. That belies a lack of understanding of how cutting to vinyl works. I do not know whether these rights are the slightest in Russia, Spain, or Italy, but I doubt it seriously. Watch out when the Beatles, Stones and others get into the public domain here. Peppersucked too. Of course they have their own set of problems. The German Horzu pressing of Magical Mystery Tour is of course incredible compared to all the rest. Recorded 2/65. If you spend $25-$50 on a reissue, all the info should be printed on the album jacket, or available in plain sight on the reissue companies, and dealers, websites, including source tape, mastering chain (absence of digital), mastering engineer (s), manufacturing plant. This web page shows only a small excerpt of our Ermitage research. I'm French, excuse my english. Looking into buying some Miles Davis records that are discounted right now at a Swedish online shop. Same deal for Jazz Wax Records, too -- more public domain stuff that appears to be 'mastered' from CDs. Great to see the reissue of Some Girls is now on HD Tracks. Hermitage. "shaknspin" Electronically Measures Turntable Speed Plus a Great Deal More, Review Explosion: Spiritualized, Pusha T, Bladee & Ecco2k, Father John Misty, & Swedish House Mafia, Parlogram Auctions: A Customer's Honest Experience, "Record Store DayThe Most Improbable Comeback of the 21st Century" Book Review and Interview, Review Explosion: Red Hot Chili Peppers, Weezer, Yung Lean, Son House, & Johnny Marr. I have a few CD's which have no compression or equalization at all (such as Al Stewarts's Year of the Cat MFCD-803) and when you listen to it you wonder why we are compressing the dynamics at all. Resources available online on the Antenati Portal are mostly civil records, though parish records are included as well in some archives in central and Northern Italy, where civil records were introduced for a short time under the Napoleonic occupation (1806-1814). The sad reality is that some people involved in putting vinyl out probably check it on a crappy deck in a poor system and would regard a SL1210 as high end, our vinyl gets played and checked by at least two or three of us on a Rega 3, SL 1210 and a Michell Gyro or Orbe, plus one or two other decks as well and in different systems, bad pressings may still slip through, but they will be very few and not down to a problem with the whole run. Doxy have done a series of Muddy Waters box sets on vinyl for example. A couple of obviously legit reissues II recently bought are two outstanding Johnny Winter reissues, Second Winter and Johnny Winter And Live from Friday Music that are the best I have ever heard these recordings by a mile. This is not a case of semantics and again leaves one to wonder. I hope to see the thread keep going with peoples opinions on other reissues. The past 10 years, as vinyl picked up popularity again, it seemed like an onslaught of companies offering "audiophile 180G" vinyl. I also really like the Japanese red mono vinyl, but mostly for the different mix. I'm not sure I see the value in such a thread. This is not possible in France. On the back of the Waxtime sleeves is DMM (Direct Metal Mastering), and for Lilith and Doxy in the Dig-a-Log collection it uses the word "analog". 2015 Apr;26(2):245-51, ix. At any case, I do empathize with your comments. To your specific inquiry, the original analog master tapes were the source for our remastered vinyl release of Chet Atkins & Les Paul, "Chester & Lester" (eXLP1-44061). The "sourced from" designation pretty much means: 1) it is not cut from the original master. I have purchased more than one pop/rock WaxTime LP. Perhaps one day the reissue and "HD" music businesses will reach a level of public conscieness that similar ad hoc (voluntary, yet accurate and agreed-upon) standard vocabulary --- and its uses --- will come about. She hit the brakes, put some money in my elder brother's hands (he was the bravest of us three boys, although not the eldest) and said "Tell the store owner that your mom wants to buy the man hanging in the window." The whole set. I have consentrated on looking for original pressings more over the last few years. I'm not good with lists. They use their own mastering engineers, so I imagine they aim for the best possible result. Miller Industries is seeking to fill the position of Quality & Regulatory Assurance Engineer at our Hermitage, PA facility. I own a ton of Music On Vinyl records and I have always thought they sound great but i'm a vinyl noob and only have about $3000 worth of gear so maybe i'm not hearing what you hear. This program brought electronic health records to well over 80% of ambulatory physicians and virtually every hospital in the United States. Of course sometimes content trumps source but if the source was originally analog and the source is available, using a CD to cut a record is inexcusable. Thanks for replying, jgannon! The Classic Series will once again feature all-analog 180g vinyl pressings in standard packaging that are mastered by Kevin . ON THE CUT! I would like to say that I am more of the persuasion that record companies are ripping everyone off by knowingly releasing an inferior sounding product to keep the "remaster" business going. They are "simply" about vinyl. The T-Rex "Electric Warrior" reissue is also "apparently" Hi Resolution digital, though I haven't heard it. It was then that I noticed that the actual tracks on the individual albums weren't in the same order as on the cover or the original, and that there were actually some additional tracks, like one of those extended cd reissues. The vinyl is noisy and Dylan's voice is all over the place. Legend also states that because of the availability of the "Pink Moon" original tape, it is the only remaster done with an entirely analog signal path. Seem like they're readily available and less than $15/LP. The approach for control of quality records is to identify the records required in each of your procedures to support or provide objective evidence that the procedure has been followed. I have plenty of LPs from the 50s, 60s and 70s that were cut 100% analog every step of the way (obviously) and still sound horrible. Most of what I've read isn't positive. Bryan Ferry, Dylanesque, 96/24. Some Girls came from the tapes, so I suppose it depended on the condition of the tapes. The fact is, these are obviously not from analog tape. Make it updatable by anyone. Ermitage is one of the most long-lasting brands of the independent classical discography. Actual production runs may not be as consistent as test pressings. Not an audiophile quality release, but it may be a good addition to a collection just as a document. And anyone can go in and update information. Obviously if you only want the classics then you will usually get a good deal but if it's anything that was on an independent Been reading Plain Recordings and 4 Men With Beards are one in the same and have the same mailing address. The VA's Office of Accountability and Whistleblower Protection (OAWP) began investigating the alleged misconduct in November 2021 in response to the OMI's findings, according to internal emails . . It was my first MFSL and nearly my last. great sounding The bottom line is, be careful. Here is the confirmation I recently received from them: "Thank you for your interest in Exhibit Records. I'm reminded that not until sometime in the '70s did amplifiers advertise comparable power and distortion specs based on common criteria and that it didn't happen for car audio until the '90s. Again, this is 1960s jazz material that is in the public domain in the EU. A lot of The Beatles 1/2 speeds were NOT done with originalEMI master tapes. You can read a review of a Vinyl Lover's John Cale reissue on this site. The ones I have heard are uniformly crap. I emailed Friday Music about their reissue of Boston's debut LP, which their literature says is "Masteredfrom the original Epic Records tapes" but doesn't specifically say "analog." Considering how full of errors Discogs already is and that there is no objective way of measuring pressing quality then it wouldn't be something that worked well, the best thing to do is learn which plants pressed most of your favourite records and those that pressed the ones with most problems, buy from the former and avoid the latter. The UHQR Pepper ain't in that same league at all. And even if they did, as a new collector, is it trial and error or is there a comprehensive list out there of the good and not so good producers? I'm truly happy with it. But that's another story. eXhibit Records/Soundboard I do not see how the discs of Jazz that are fifty years old, or discs of Caetano Veloso like Tropicalia (1968) can be considered as being in the public domain. or maybe try one of them since the price is low. Early History of the Ermitage family. My understanding is that when Simply Vinyl licensed titles from EMI, the label used analog sources from its vault but other label sources are a crap shoot and mostly sound mediocre. With these mono (false mono) too much clean and uniform. Try finding an original copy of Gris Gris. I do have some records on the 'to be avoided' labels that I like but I find the whole practice disappointing. It sounds quite respectable. Only a small excerpt of our Ermitage research the slightest in Russia, Spain, or Italy, but doubt! Electric Warrior '' reissue is also `` apparently '' Hi Resolution digital, though I purchased... Is low 's John Cale reissue on this site having commentary on re-issues have Records! Pa facility nearly my last with your comments whole shabang for the best possible result a Swedish online.! Well over 80 % of ambulatory physicians and virtually every hospital in the domain. Also really like the Japanese red mono vinyl, but, What about the Supercuts vinyls ( EU ) H-Q. 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